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Tie
Ji
Hunan University, P.R.China
Bing Zhang
Technology University of Delft. The Netherlands
Fundamental
research about
chinese characters in visual design
The
Philological study of Chinese is an enchanting subject. The aesthetic creation
of Chinese characters established the foundation of Chinese aesthetic sensation
as well. From the view point of culture conformity, focusing on various
ties between Chinese characters, this paper not only revealed the occurred
and developing rules of Chinese characters shape systematically but explained
the moulding and maintaining system in depth at the nature of Chinese characters'
unique visual shape. And on the other hand, the digital age has forever
changed the visual landscape of graphic design. As technology develops constantly,
the full potential of digital typography grows exponentially. It has enabled
the designers to try more ideas more quickly, and produce more complex and
personalised solutions. Rules have been changed, so we should find new and
reasonable principles to control our design process. A new Chinese characters
design and analyse model in the end of this paper can be found.
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